Movie Scene Analysis Assignment Review Example | Topics and Well Written Essays - 1000 words

Scene Analysis Assignment - Movie Review Example Here too the executive attempts to be a concealed eyewitness. The passing of a Samurai and the assaulting of his better half is the center episode of the story. It was woodcutter in the backwoods who finds the body of the slaughtered samurai. A minister is additionally an observer. Be that as it may, during the preliminary four observers including the wood shaper and the minister give various sections of the occurrence. The film reveals to us that it is troublesome or close to difficult to arrive at reality, simply through the variants of witnesses, for each one will have their viewpoints of things and all human memory is obfuscated by one’s own judgment, recognition and personality. An extremely fascinating scene or succession of the film is in the first place where the woodcutter is strolling through the woodland with his hatchet threw on his shoulder. The scene is made out of exceptionally arousing development of the camera, and is of span of two minutes. It has no exchange . The scene is a piece of a glimmer back; by chance the entire film is a blaze back. The scene is built in 16 shots , of which the wood shaper shows up in twelve .There are three conspicuous close ups - A current time close up of the substance of the wood shaper and past time close up of the cap of the woman assaulted , holding tight a shrubbery. ... During the fifties this was viewed as a no-no in cinematography and the cameraman, Miyagava Kazuo challenges this convention and makes awesome picture on the screen. Camera looking direct to the sun might be normal in films today. Yet, during those days the conviction had it that the sun beams entering direct into the focal point would consume the movie in the camera. Be that as it may, here the shot direct into the sun gives the watcher the mis-en-scene experience of the camera, or the watcher himself going into the core of the timberland. He himself is entering the timberland alongside the camera. It drives the watcher into the light and shadow universe of the backwoods where the human brain can lose its direction. This shot and the entire scene was regularly refered to as one of the most exceptional camera work in high contrast cinematography. The development of the item before the camera makes the psychological state of mind of the scene. In this scene of the twelve shots where t he wood shaper shows up, in shots 13 and 15 the wood shaper moves option to left of the camera, in shots 2, 4, 5 and 9 he moves left to right of the camera; in shots 3 and 16 he moves towards the camera and in shots 8 and 14 he moves from the camera. The shot 11 is considerably more confounded as far the development of the item with in the edge is concerned. Here the woodcutter moves left to right and afterward option to left .In shot 6 he moves originally left to right and afterward towards the camera lastly away from the camera. Here Kurosawa makes a kind of a complex cadenced montage, which focuses on the logical inconsistency of the developments with in the edge. This movement of the developments of the character before the camera makes an inclination that he is strolling wayward as though getting caught some place. It represents the way that he is getting